Thursday, August 12, 2010
Swim Lane @ 2739 Edwin
Through August 14th:
http://www.thedetroiter.com/v3/2010/07/saturday-july-17-2010/
Wednesday, March 24, 2010
Perform/Install 3 @ The South Bend Museum of Art
Perform|Install 3
March 27–June 27, 2010
Exhibition Reception is April 9, 2010, 5:00-8:00 (musical performance begins at 7:30 p.m.) It is not new for a museum to put on events or design exquisite installations. It also is not new for museums to share the art viewing experience with a performance in the same locale. For the SBMA, it is a regular happening and has been for many years. What is new, however, is to celebrate the joining of events and art in the third installment of Perform/Install. This fusion comes to the SBMA in the form of two visual artists installing work and deliberately transforming the Warner Gallery into a performing arts venue. Over the course of the exhibition several events ranging from experimental in nature, to traditional forms of performance will be presented.
Meredith Setser (Indianapolis, Indiana)–– Grounded by process and materials, space is transformed using massive, swelling walls of handmade felts, imaged with etchings and screen prints. The light at the end of this billowing cave converges on a surprise built of living and dead plant matter, textured felts, and resin. The patterning employed on the massive swaths of felt employ generic biological renderings of dermis and vein patterns shared by a majority of organic life forms and is applied with traditional printmaking applications. Incorporated into the installation are animal by-products (wool, hooves, and pelts) as a means to juxtapose the “faux” felted pelts with actual animal products. This combination places the installation somewhere between reality and falseness, perhaps producing some sense of subterfuge when examined closely.
Lauren Rice (Detroit, Michigan)–– Fantastical landscapes created from debris, papier mache, wood, spray and found objects organic grow and expand in unexpected ways. “Flowers” are formed from bulky blobs resting uncomfortably upon their armatures of wooden dowels, wire and cement. The imagery in this installation work references gardens and flowers, however the traditional preconceptions of these feminine and romantic things are often vulgarized. Rice’s installation intends to simultaneously support and subvert expectations of formal qualities and structural integrity, utilitarian and decorative function. And, in doing so, investigate techniques and materials that have masculine and feminine connotations, as well as explore notions of craft, kitsch, preciousness and sentimentality.
Tuesday, January 12, 2010
Thursday, December 17, 2009
http://perfectlaughter.com/index.php/lauren-rice-interview/
Friday, December 4, 2009
Vestiges: New Work by Lauren Rice

org contemporary is pleased to present: Vestiges: New Work by Lauren Rice

Opening Reception December 11th, 7:00-9:00 pm
Special Exhibition Preview December 5th during Noel Night and the Russell Industrial Open Studios
Using both collage and installation, Lauren Rice transforms ordinary materials into curious forms. Her recent works on paper combine collaged magazine elements, ink, graphite, gouache, spray paint and paper pulp to create abstractions that exist in the liminal space between sexy and strange, pretty and gross.
In Rice’s installations and sculptural projects, she accumulates, modifies, and arranges found and created objects. Using the gallery space as a jumping off point from which to grow and expand in mysterious ways, her installations also balance in between awkward and elegant.
Rice’s work simultaneously supports and subverts expectations of formal qualities and structural integrity; utilitarian and decorative function. By doing so, she investigates techniques and materials that have masculine and feminine connotations, as well as explores notions of craft, kitsch, preciousness and sentimentality.
Rice’s work clearly expresses an interest in contributing to the current dialogue of using found, non-traditional material to create work. It is essential to her practice, however, to criticize and challenge those very tactics by intentionally overindulging in formal elements that have become trends in contemporary art. Precious forms exist beautifully next to awkward, even ugly shapes. Elegant cut paper flowers emerge from a slop of paper pulp or cement. Trendy rays of color radiate from blobs of collage, drawing attention to the relationship between the gawky, strange and the formally divine.
Lauren Rice was born in Atlanta, GA and currently lives and works in Detroit, MI. She received her BA in Studio Art from Knox College and her MFA in Painting from American University in Washington, DC. Recently, her work has been curated into exhibitions such as Paper Trail: Selections from Transformer Gallery's Flat Files at both Transformer Gallery and Heineman Myers Contemporary Art; Girlish Ways: The Next Generation of Female Artists at The Bobby Fisher Memorial Building in Washington, DC; and Experimental Drawing at Nance Street Studios in Houston, TX. Lauren has exhibited in venues in New York City, Chicago, Houston, Fort Worth, Washington DC, Detroit, Baltimore and Atlanta.
org contemporary specializes in solo or two person exhibitions of local and national contemporary artists. They are located on the third floor of building 2 at the Russell Industrial Center in Detroit, MI.
http://www.orgcontemporary.com
http://lauren-rice.com/
Friday, October 30, 2009
Look for my work at:
Transformer proudly presents
The 6th Annual Transformer Silent Auction & Benefit Party
November 7, 2009
7 – 10pm
The Mexican Cultural Institute
2829 16th Street NW
Cynthia Connolly
AUTAUGAVILLE, AL, 11-2-02
Transformer’s Annual Auction is an ideal way to begin or expand your art collection while connecting with a smart, sophisticated audience. This very special, one-night only event features an exciting array of over 125 artworks in a variety of mediums, dimensions and prices by more than 100 of DC's leading, emerging, and established artists. Click here to download a complete list of artists and artworks.
Dan Steinhilber
Untitled 1
Tang
Singing Softly To Me
Lisa Marie Thalhammer
Lizard with Electric
Blue Nailpolish
Attendance is on a first paid, first secured basis – space is not guaranteed. All tickets must be purchased in advance of the Auction night. Tickets will not be sold at the event.
Carolina Mayorga
Love Me





















